Hacking Harvard Read online

  Hacking Harvard

  Robin Wasserman

  FOR MY FATHER, who will always be number one

  Power--including the capacity to shape the very categories used to classify candidates for admission and to designate specific groups as warranting special consideration ... is at the center of this process. From this perspective, an admissions policy is a kind of negotiated settlement among contending groups, each wishing to shape admissions criteria and the actual selection process to produce the outcome they prefer.

  --Jerome Karabel, The Chosen: The Hidden History of Admission and Exclusion at Harvard, Yale, and Princeton

  Trust the system: admissions are generally fair.

  --"Ten Tips You Need to Know," Time magazine,

  August 21, 2006

  3

  There are two kinds of geniuses, the "ordinary" and the magicians. An ordinary genius is a fellow that you and I would be just as good as, if we were only many times better.... It is different with the magicians. They are, to use mathematical jargon, in the orthogonal complement of where we are and the working of their minds is for all intents and purposes incomprehensible. Even after we understand what they have done, the process by which they have done it is completely dark.

  --mathematician Mark Kac, Enigmas of Chance: An Autobiography

  T his story is not mine to tell.

  It is, however, true--and I'm the only one willing to tell it.

  It begins, like all good stories, once upon a time.

  The shadowy figure slipped down the hall, infrared goggles giving the familiar surroundings an eerie green haze. Dressed in headto-toe black, a mask shielding his face, he would have been invisible

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  to the security cameras if his partner hadn't already disabled them. Five minutes, blueprints from the firewalled Atlantis Security site, a pair of wire clippers--and the job was done.

  Snip! Good-bye, cameras.

  Snip! Farewell, alarm.

  Still, he moved slowly, carefully, silently. The operation was just beginning. Anything could go wrong.

  The target was twelve doors in, on the left. Locked, as they'd expected.

  Good thing he had the master key.

  The equipment was stashed in a closet directly across the hall, secured behind a NO ENTRY sign, official-looking enough that no one had dared enter. He wheeled out the cart, grimacing at the squeaky wheels. No matter. There was no one to hear. The next security patrol wasn't scheduled for another three hours, thirty-two minutes--and reconnaissance indicated that the night guard almost always skipped his three a.m. rounds in favor of a nap in the front office.

  If anyone else approached, the perimeter alert would make sure he knew about it.

  He pushed the door open and surveyed the target. It would be close, but they'd get the job done. He crossed the room, taking position by the wall of windows. Thirty seconds with the whisper silent drill, and the lowest pane popped cleanly out of the frame. He attached his brackets to the frame, threaded the high-density wire through, waited for the tug from below and, when it came, locked everything in. That was the easy part.

  He turned around, his back to the empty window, and closed his eyes.

  5

  Visualization, that was the key.

  He'd learned it from the masters. James Bond. Danny Ocean. Warren Buffet. See the plan unfold. Visualize the details, the problems, and their solutions, the eventual prize in your hand. Believe it--then do it.

  It sounded like self-actualization, Chicken Soup for the wannabe winner crap--but it worked.

  He closed his eyes. He saw. He believed. He knew.

  And then, with a deep breath, Max Kim got to work.

  Once upon a time, there were three lost boys.

  One was a Robin Hood, in search of a cause. One a Peter Pan, still hunting for Captain Hook. The third a Prince Charming, bereft of his queen.

  There was, of course, an evil prince.

  An ugly duckling.

  A moat to cross, a tower to climb, a citadel to conquer.

  And finally, there was a wicked witch. But we'll get to me later.

  Because in the beginning, it was just the three of them: Max Kim. Isaac Schwarzbaum. Eric Roth. The Three' Musketeers. The Three Amigos.

  Three Blind Mice.

  "Janet Pilgrim, October 1956. Betty Blue, Miss November. Lisa Winters, December." Schwarz forced himself to breathe evenly. The familiar litany helped. "June Blair, January 1957. Sally Todd, Miss February. Sandra Edwards, in the red stockings"-- Breathe, he reminded himself--"March. Gloria Windsor ..."

  6

  He'd almost regained his calm--and then he looked down.

  Hyperventilation ensued.

  Again.

  One hand gripped the edge of the roof, the other hovered over the wire as it ran through the pulley gears, hoisting its load, ready to bear down if anything slipped out of place. But he wasn't worried about the equipment. He was worried about the ground.

  His earpiece beeped, and Eric's voice came through, crystal clear. "Another load, coming up."

  "Hurry, please," Schwarz begged. "Being up here is not good for my asthma."

  "Schwarz, you don't have asthma."

  Oh.

  Right.

  The excuse worked wonders for getting out of the occasional stepfamily touch football game, as Carl Schwarzbaum could barely be bothered to remember that his oldest son still drew breath-- much less which bronchial maladies kept that breath labored and far too short for football.

  Eric, on the other hand, paid attention. Which made him significantly harder to fool.

  "You ready to receive?" Eric asked.

  Schwarz nodded. "Roger." He drew in a deep, ragged breath, then leaned over, arms outstretched, waiting for the metal cage to appear out of the darkness. Max was still inside, preparing more loads for Eric, who would pack them securely and send them on their journey to the roof.

  Where Schwarz waited. Trying not to look down.

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  It's only two stories, he reasoned with himself. Not bad at all. Not dangerous. Not worthy of a panic attack. Not enough to make him dizzy and short of breath, to make his chest tighten and his palms sweat inside the rough leather gloves.

  "Dawn Richard, May 1957," he murmured. "Carrie Radison, pretty in pink. Jean Jani. Dolores Donlon. Jacqueline Prescott, Miss September. Colleen Farrington, in the bubble bath." It helped, like it always did, like a bedtime story he told himself, chasing the monsters back into the shadows. "Miss November, Marlene Callahan, behind the door. Linda Vargas, by the fire. Elizabeth Ann Roberts, January 1958, a very happy new year."

  Just two stories. Not a long way down.

  He could estimate the height and his mass, calculate the impact velocity, apply it to the standard bone density and tensile quantity of his muscles, calculate the probability of tears, breaks, demolition. Rationally, he knew that two stories was nothing.

  But in the dark, the ground was impossible to see.

  And it felt substantially farther away.

  From the Oxford English Dictionary:

  Hack, noun, most commonly meaning, "A tool or implement for breaking or chopping up. Variously applied to agricultural tools of the mattock, hoe, and pick-axe type. " First usage 1300 AD: "He lened him a-pon his hak, wit seth his sun us-gat he spak. "

  I just wanted to understand. After it was all over, I just wanted to know what I'd missed, to get why it had meant so much. This didn't

  Other options:

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  Hack:

  "A gash or wound made by a cutting blow or by rough or clumsy cutting."

  "Hesitation in speech."

  "A short dry hard cough. "

  Most uselessly: "An act of hacking; a hacking blow. "

&
nbsp; And then, inching closer to paydirt, the seventh usage: "A spell of hacking on a computer . . . an act of gaining unauthorized access to a computer system. " First use 1983.

  I showed Eric. He laughed. The date ' was ridiculous, he said.

  The definition was useless, he said.

  The term hack had been co-opted--falsely, offensively, clumsily--by the mainstream media, who thought writing about computer hacking masterminds would sell more papers.

  He said.

  According to Eric, hacking in its pure form stretched back centuries. It wasn't restricted to a single medium. It was more than a methodology. It was an ethos.

  "This is your problem," Eric complained, tapping the computer screen. The Che Guevara action figure perched on top tilted and swayed, but declined to topple. Max had given it to him for his last birthday--"a revolutionary, for my favorite revolutionary"--and while it was intended as a joke, his prized position atop the computer screen suggested that for Eric, the mini-Che was equal parts entertainment and inspiration. "The OED is an outmoded technology. " He leaned over my shoulder, his forearm brushing against my cheek, and closed the window. Then, reaching around me with the other hand, so that I was trapped between his freckled arms, he opened Wikipedia and typed "hack" into the search box. "It's dead, like the Encyclopaedia Britannica.

  9

  A bunch of old white guys sitting in a room deciding what's true--it's a dead end. That's what this means-- " He brushed his hand across the top of the monitor fondly, like it was a family pet. "The end of gatekeepers, the end of the fossilized system that depended on an 'us' and a 'them,' the knowledgeable and the ignorant. Communal knowledge, that's what matters now. Not what they want us to know, but what we want to know. That's the future. " He glanced up from the computer, up toward me. Behind the glasses, his eyes were huge. "Information wants to be free."

  "Schwarz is losing it," Eric whispered. Thanks to his improvements, the mics were so sensitive that they picked up his every word. "Let's speed this up."

  "Code names only," Max reminded him. "We don't know who might be monitoring this frequency. And whose idea was it to stick Grunt on the roof?"

  "Mine. And it was a good one." Eric flipped channels back to Schwarz, hoping he was right. "You still with us up there?"

  "Susie Scott, Sally Sarell. Miss April, Linda Gamble. Ginger Young on the bed. Delores Wells on the beach, Teddi Smith, Miss--"

  "Schwarz!"

  "Ready for Phase Three." The voice was pinched and nasal, with a hint of a whine. As usual. "Can you, um, please go faster?"

  "We're working on it."

  And back to Max.

  "Last load," Max confirmed. "Hoist it up, Chuckles, and I'll meet you and Grunt on the roof in five."

  10

  Eric began unhooking the metal grips and threading the wires back through, winding them in a tight coil. His cheeks burned in the wind. Unlike Max, he wore neither all black nor a mask for their missions, trusting the darkness to protect him--and, failing that, trusting the intruder alert sensors, which could never fail, because he had designed them himself. Max dressed for drama; Schwarz dressed however Max told him to. But Eric dressed for efficiency, flexibility, comfort, and speed. A gray T-shirt inside out, its faded message pressed to his skin: IF YOU'RE NOT OUTRAGED, YOU'RE NOT PAYING ATTENTION. His lucky socks, sneakers, Red Sox cap, and cargo pants--stuffed with lockpick, RF jammer, micro-scanner set to the police frequency, pliers, extra wire coils, a house key. He carried no ID. Just in case. If he missed something on the scanner, if their detectors failed, and a car pulled into the lot without advance warning, if someone, somewhere, heard something, and a cop appeared, there was always the all-purpose backup plan.

  Ditch the equipment.

  Forget the mission.

  Run.

  "Explain to me again why I have to be Chuckles and you get to be Cobra Commander?" Eric asked Max, hooking the line to his belt and giving it two quick tugs. There was a grinding sound, and then the ground fell away beneath him as the mechanism hoisted him up. He grazed his fingers against the brick facade; it scraped and tickled as the wires hauled him up to the roof.

  It was nothing like flying.

  "Because you always make me laugh," Max replied in a syrupy sweet voice. "At least, your face does."

  11

  "You're hilarious."

  "Chuckles is a noble leader of covert operations for the G.I. Joe team," Max said. "You should be proud."

  Eric snickered. "And you should stop playing with dolls."

  "They're not--"

  There was a pause. Eric hoped he wouldn't have to hear the lecture again, the one about eBay and nostalgia items and untapped gold mines. The one that comprehensively--just not convincingly-- explained why Max had a pristine collection of Pokemon Beanie Babies on his top closet shelf.

  "Never mind. Suffice it to say, that's why you don't get to pick your own code name," Max said. "You don't have the proper respect. Consider this your punishment. Chuckles."

  Eric scrambled over the edge and, with a thin sigh, planted his feet on the rooftop. Schwarz had already hurried over to the opposite edge, to get started on Phase Three. "So what'd Schwarz do to deserve Grunt?" Eric whispered.

  "That's not a punishment. That's a description. E,ver catch him with one of those vintage Playboys he loves so much?"

  Eric made an exaggerated retching noise and flicked off the sound. Now if only, he thought, staring at Schwarz and wincing as he pictured what he desperately didn't want to picture, he could shut off his brain.

  Max was the one who finally explained it to me.

  "Hacks. Not pranks. Never pranks. Pranks are for idiots. " He had his back to me. I'd interrupted him in pursuit of his other passion, hawking eighties nostalgia crap on eBay. That afternoon he was

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  downloading photos of his latest acquisitions, a full collection of My little Ponies, complete with Show Stable and Dream Castle. He'd pieced it together for a total of twenty-seven dollars, and planned to resell it for at least three hundred, just another day at the computer for Max, who believed that if you didn't clear at least a five hundred percent profit on any given transaction, you just weren't trying.

  "Pranks are for amateurs. live-action jokes with a total lack of sophistication and purpose. Not to mention sobriety. " Warming to the lecture, he spun around to face me, skidding across the hardwood floor toward the couch. It was crimson-colored, like everything else in the Kim family's house. I sprawled across it, my feet up on the side, shoes off, to keep Dr. Kim from having a heart attack on discovering I had scuffed his fine Italian leather. Max warned me that my socks would get Maxwell Sr.'s forehead vein pumping just as quickly.

  They were a deep, rich, dark, true blue. A crayon blue. An M&M's blue.

  A Yale blue.

  So I took my socks off too.

  "Prankers have no vision," Max complained. "Saran Wrap on the toilet, cows in the lobby, dry ice in the pool, chickens in the gym. ..." He rolled his eyes. "So what? What's the point? Gives us all a bad name. Even a good prank--even the best prank--is just funny. And then that's it. Over. Forgotten. But a hack . . . you're playing in a different league. Higher profile. Higher stakes. Higher calling. "His eyes glowed. I'd seen the look before, but only when he was talking about money. Always when he was talking about money.

  "TP cubed," he said. "Target, planning, precision, and purpose." He ticked them off on his fingers. "That's what we have, and they don't.

  13

  Worthy targets, long-term planning, technically sophisticated and precise execution--and a noble purpose. You want to make a statement, stand up for the right side. You want to take someone down who really deserves it."

  "And you want to be funny," I added.

  He glared at me like I'd just set fire to his My little Ponies. "Funny's beside the point. In 1961, the Cal Tech Fiendish Fourteen got sick of the annual invasion of Pasadena by football-crazed morons. So they hacked the Rose Bowl halftime flip-card
show. They fooled two thousand University of Washington students into flipping over cards that combined to spell out CALTECH. There were more than ninety thousand people in that stadium. Millions more watching live on TV. You think they were going for funny.''" His face twisted on the word. "It wasn't about making people laugh. It was about achieving greatness."

  "Where's the higher purpose in screwing up a halftime show?"

  Max sighed, then turned back to his computer. "Forget it. Maybe it's a guy thing."

  I glanced toward the stack of My little Ponies.

  He was lucky I didn't have a match.

  It took longer than expected, but by two a.m., Phase Three was completed.

  Max stepped back, spread his arms wide, and gave the rooftop assemblage a nod of approval. "A masterpiece, boys. We've done it again."

  Five rows of small desks and chairs faced an imposing, kitchen table--size desk and padded black office chair. Behind it stood one blackboard, complete with wooden pointer and blue chalk. Corny

  14

  motivational posters hung from invisible walls--rows of fishing line strung at eye level. And, hanging above them, the piece de resistance: one oversize, battery-powered clock, so that when Dr. Richard Ambruster, the desperate-for-retirement history teacher and current tenant of the now empty room 131, eventually found his classroom, precisely re-created on the Wadsworth High roof, he would be able to calculate his tardiness down to the second.

  In his twenty-two years of teaching high school, Richard Ambruster had found only one thing in which to take any joy: giving detentions. Speak out of turn? Detention. Request an extension? Detention. Miss a homework? Detention. Refer to him as "Mr." rather than "Dr."? Two detentions.

  But the crown jewel in his collection of detention-worthy offenses was tardiness. Thirty minutes or thirty seconds late, it didn't matter. Excuses, even doctor-certified ones, carried no weight with him. "My time is valuable," he would tell the unlucky latecomer in his haughty Boston Brahman accent. "And your time, thus, is mine." Cue the pink slip.